Petra Peček, Manca Trampuš, Alja Lacković
VSE MORA VEN / CLEARANCE
interaktivni gibalno-zvočni Prvenec PTL / an interactive movement & sound PTL Debut
Koncept, avtorstvo in izvedba / Concept, Authorship and Performance: ALJA LACKOVIĆ
Soavtorstvo in izvedba / Co-Authorship and Performance: MANCA TRAMPUŠ, PETRA PEČEK
Oblikovanje luči / Lighting Design: URŠKA VOHAR
Tehnična asistenca / Technical Assistance: KRISTINA KOKALJ, JANKO OVEN
Kostumografija / Costume Design: SLAVICA JANOŠEVIĆ
Izdelava kostumov / Costume Make: SLAVICA JANOŠEVIĆ, ALJA LACKOVIĆ
Mentorstvo in zunanje oko / Mentorship and Outside Eye: VITA OSOJNIK
Kreativna producentka / Creative Producer: KATJA SOMRAK
Produkcija / Produced by: PLESNI TEATER LJUBLJANA – PRVENEC 2022 / DEBUT 2022
Zahvala / Special Thanks to: JERNEJ BIZJAK, ROBERT PLUT (skladba / song Boing Boom Tschak), ANDREJA KOPAČ, CSABA MOLNÁR in prijatelji / and friends
Podpora / Supported by: DRUŠTVO UMETNOSTI IN KULTURE 47, HUMANISTIČNO IN UMETNIŠKO DRUŠTVO »O«, KULTURNO DRUŠTVO SVOBODA KISOVEC, CANKARJEV DOM VRHNIKA, JSKD, KULTURNO DRUŠTVO KOALA VOICE
Program Plesnega Teatra Ljubljana sofinancirata Ministrstvo za kulturo RS in Mestna občina Ljubljana, Oddelek za kulturo / The programme of Plesni Teater Ljubljana is subsidized by the Ministry of Culture RS and Municipality of Ljubljana, Department for Culture
Foto / Photo: KATARINA KOLENC, SUNČAN STONE
O predstavi
Vse mora ven je interaktiven gibalno-zvočni Prvenec PTL treh mladih umetnic. Projekt temelji na preizpraševanju in razširjanju vsakdanjih konceptov. Material izhaja iz raziskovanja osebnih zgodb, ki v prostoru tvorijo kolaž odnosov in čustev, bodisi z gibom, besedo ali zvokom. V družbi, ki stremi k iskanju smisla, performerke zanima tisto, kar na prvi pogled nima smisla.
Znotraj nas so kontrasti - aktivno in pasivno sta v nenehnem prepiru. Dvojnost je sredstvo, s katerim se performerke nenehno poigravajo. Zastavljena forma potuje med kontrasti. Včasih prestopi na stran popolnega kaosa, čez nekaj trenutkov je že na drugem bregu popolne miline. »Znotraj nas treh ustvarjamo dinamiko življenja v nekakšni fast forward tehniki, kjer gre za popotovanje iz enega občutja v drugo in tretje skoraj v trenutku.«
Zelo specifičen način sodelovanja ustvarjalk, ki temelji na zaupanju in medsebojni podpori, omogoča osebno izpoved v varnem okolju. »Na nek način performans deluje katarzično na vsako sodelujočo, vendar nas zanima, ali lahko ta osebna katarza preskoči in poustvari kolektivno katarzo.«
Performans se poigrava z očmi opazovalca, ki lahko begajo po celotnem prostoru ali ujamejo majhno podrobnost.
Ideja o sodelovanju se je porodila v začetku leta 2020, ko je bilo vsaki izmed performerk onemogočeno kakršnokoli delovanje. Združila jih je skupna želja po ustvarjanju. Izhodiščna točka raziskovanja je poigravanje konceptov, zaradi česar je projekt dokaj univerzalen in odprt za različno publiko. Pomemben aspekt našega ustvarjanja je uporaba instinkta, ki doprinese k vsesplošni surovosti in koncentraciji. Vsaka izmed treh umetnic ima prostor za raziskovanje izraznosti, ki nato sestavlja koheziven del celote. Medsebojna podpora in razumevanje sta vodili pri ustvarjanju, v katerega si želijo vključiti tudi občinstvo, tako da je povabljeno k sodelovanju. S formo, ki je deloma strukturirana, deloma odprta, projekt povabi opazovalca, naj postane aktivni udeleženec in soustvarjalec, če si to zaželi.
About the performance
Clearance is an interactive movement and sound performance by three emerging artists, part of PTL Debut 2022. The project is based on reformulating daily concepts and expanding their definitions. The material comes from personal stories that form a spatial collage of relationships and emotions in space, either through movement, sound or spoken word.
In a society that strives to find meaning, the three performers are interested in what at first glance makes no sense.
Contrasts are present in every human being. The active side is in a perpetual fight with the passive side. The three performers persistently play with the duality. The set form travels between contrasts. Sometimes, the form looks like an absolute chaos, the next moment it becomes completely serene. “We have created a dynamic between us that weirdly functions as a life in fast forward, passing almost instantly from one feeling to another and jumping to the third.”
The authors of Clearance have developed a specific way of collaboration that is established through mutual support and contributes to personal expression in a safe environment. “In a way, the performance functions as a catharsis for each participant. We are deeply interested whether there is a bridge that connects individual catharsis with the collective catharsis, with our spectators.”
The performance is ceaselessly playing with the eyes of the observers. Sometimes the eyes wander around the room, at other times, they catch a tiny detail.
The idea of collaboration dates back to the beginning of 2020 when we were all prevented from doing anything. The starting point of our research is playing around with established concepts, which makes the project quite universal and open to a diverse audience. One important aspect of our creative process is the use of instinct, which demands a lot of concentration and contributes to the overall rawness of the performance. Each of us has a space to explore her expression, which then forms a cohesive part of the whole. Mutual support and understanding are the guiding principles in our creative work, with the aim of using the same approaches with the audience. Through the form that is partly structured and partly open, the project invites the audience to cooperate and create an individual experience.
Izsek iz kritike
»Vse mora ven… Je trenutek postanka, a hkrati začetka, opremljenega s pravo mero iskrivosti, eksperimenta in odprtosti pa tudi s pogumom tveganja in možnostjo napake, ki jo dandanes redko zaznamo v lokalnem uprizoritvenem polju, da formira vznemirljiv suspenz za prihodnje delo«. Maša Radi Buh, SiGledal
Excerpt from press review
“Clearance […] is a moment of stopping, but at the same time of beginning, equipped with the right amount of sparkle, experiment and openness, but also the courage to take risks and the possibility of error that is rarely seen in the present‑day local performing arts, to generate an exciting suspense for future work.” Maša Radi Buh, SiGledal