Vita Osojnik
IZVEN OSI / TILTED
plesni performans s svetlobnimi in zvočnimi instalacijami / dance performance with visual and sound installations
Koncept in gib / Concept, Movement: VITA OSOJNIK
Zvok, AV / Sound, AV: MATEVŽ KOLENC
Svetlobne instalacije / Light Installations: TILEN SEPIČ, MITJA CERKVENIK, ŠTUDENTI & ŠTUDENTKE FAKULTETE ZA ARHITEKTURO IN FAKULTETE ZA ELEKTROTEHNIKO (UL) / STUDENTS OF FACULTY OF ARCHITECTURE AND FACULTY FOR ELECTROTECHNICS; pod mentorstvom / Under the Mentorship: TOMAŽ NOVLJAN, MATEJ KOBAV
Oblikovanje luči in tehnične rešitve / Light Design, Technical Solutions: JANKO OVEN
Kostumografija / Costume Design: TINA PAVLIN
Pomoč pri gibu / Movement Assistant: ROMAN DEMIR
Izdelava oblakov / Clouds Make: KAJA JANJIĆ, PETER KOTNIK, PAULINA ROGAČ, ANDREJ ŠTULAR, URŠKA VOHAR, ALJAŽ ZALETEL, pod mentorstvom / Under the Mentorship: TILEN SEPIČ
Kreativni producent / Creative Producer: KATJA SOMRAK
Produkcija / Produced by: PLESNI TEATER LJUBLJANA
Koprodukcija / Co-produced by: FESTIVAL SVETLOBNA GVERILA, FORUM LJUBLJANA;
Zahvale / Thanks to: EMA KUGLER, KATERINA MIROVIĆ, MIHA ZUPAN
About performance:
Vertigo is a sensation of feeling off balance. Me spinning. World is spinning. Tilting. Swaying. Pulling in one direction.
This maze has an entrance and an exit.
It is a slow walk through the space that ends with sitting down under the clouds.
Tilted is a second part od trilogy from Vita Osojnik.
O predstavi:
Vrtoglavica je občutek biti izven osi. Jaz se vrtim. Svet se vrti. Nagiba. Guga. Vleče v eno smer.
Ta blodnjak ima vhod in izhod.
Človek naj gre lepo počasi skozi prostor in naj sede pod oblake.
Izven osi je 2. del trilogije Vite Osojnik.
Excerpt from press:
“Light travels across space slowly and it is impossible to catch all the details with one’s eye. The same goes for all the human raindrops (spectators) that follow what is happening in the cloud at the same time. You always see only what you are looking at. Spectators are looking at a story about life. About people that are every moment a part of this life. About entangling that is impossible to resist. About the freedom that at the end each human wants to achieve in their life.” (Nika Šoštaršič, Neodvisni.art)
Izsek iz kritike:
“Svetlobno popotovanje po prostoru poteka počasi in nikoli ni mogoče zajeti vsega. Kar pa je tudi značilno za vse te človeške kaplje, ki v tistem trenutku skupaj spremljajo dogajanje v oblaku. Vselej vidiš le to, kar gledaš. In gledalci gledajo pripoved o življenju. O ljudeh, ki so vsak trenutek vpeti vanj. O prepletanju, ki se mu ni mogoče izogniti. O svobodi, s katero se človek na koncu koncev poskuša izpeti lastnemu življenju.”
(Nika Šoštaršič, Neodvisni.art)
F: Nada Žgank
About the author:
Vita Osojnik is a freelance artist, specialized as a dancer, choreographer, dance teacher, and street artist. She graduated from Gimnazija Kranj secondary school and later majored in ballet at the The Ljubljana Music and Ballet Conservatory. She completed her studies in contemporary dance and choreography at the Salzburg Experimental Academy of Dance (SEAD). During her employment as a dance teacher at the Performing Arts Grammar School Ljubljana, she obtained her pedagogical and andragogic studies and passed the professional examination for teachers.
She works as a dance pedagogue and mentor within the Alma Mater Europaea – Academy of Dance, Qulenium dance society in Kranj and Šugla street theatre. She occasionally teaches in the Practicum programme (SVŠGUGL), Bitnamuun programme and at the Maribor Dance Centre, Summer Dance School in Ljubljana and Toscana Dance Hub in Florence. She is also a visiting professor at SEAD, where she teaches in the regular programme and within the MoveMentors workshops which serve as dance workshops as well as a preparation for auditions. In October 2015, she was invited as a choreographer and pedagogue to the Tisch School of Arts (Broadway, New York) for a residency and work with group of postgraduate students. She is the author of several dance performances (Other People’s Children, I Can Easily Carry My Own Weight, Part of Me Is Made of Glass, Cynical Killers of Their Own Mother, Penetrating Into Her Is for Him, Random acts of kindness, Hombre masa, Manada, Temporarely detained bodies, etc.) and co-creator of performances (Dream of a Dance Night, Manada, Today for the Last Time, Realigments etc.). In September 2019 she was invited by Dantzaz to St. Sebastian to create choreographic piece Hombre masa which is still performed. In June 2021 Hombre masa was premiered in Ljubljana together with a new choreographic piece Temporarily Detained Bodies at the Ukrep festival. Currently Vita focuses on developing educational programme for dancers, mentoring young artists as well as constituting the artistic board in Dance Theatre Ljubljana. Meals I Already Cooked is artist’s first work in solo trilogy 2022/2023. In the meantime she is a part of international project Dancing in Your Shoes – Performing Gender (City of Women) as a travelling artist (Italy, Netherlands) as well as a local choreographer together with dramaturg Brina Klampfer.
O avtorici:
Vita Osojnik je samozaposlena v kulturi, opravlja specializiran poklic plesalke, koreografinje, plesne pedagoginje in ulične umetnice. Maturirala je na Gimnaziji Kranj, svojo drugo maturo pa pridobila tudi na Srednji glasbeni in baletni šoli – smer Balet. Zaključila je študij sodobnega plesa in koreografije na Salzburg Experimental Academy of Dance (SEAD). V okviru redne zaposlitve na Umetniški gimnaziji v Ljubljani pa je kasneje zaključila še pedagoško-andragoško izobraževanje in strokovni izpit za učitelje.
Pedagoško in mentorsko delo opravlja v okviru plesne akademije Alma Mater Europaea-Akademija za ples, plesnega društva Qulenium v Kranju, v okviru Šugle, v okviru Praktikuma (SVŠGUGL), občasno poučuje v okviru programa Bitnamuun, v Centru plesa v Mariboru, na Poletni plesni šoli v Ljubljani, na Toscana Dance Hub v Firencah, ... Redno poučuje v programih v organizaciji Zavoda 0.1 Gib – lab in Gibosfera. Zadnji dve leti vodi delavnice v okviru Poletne plesne šole v organizaciji Javnega sklada za kulturne dejavnosti. Veliko let je bila v vlogi gostujoče profesorice na SEADu, kjer je učila na rednem programu in v okviru delavnic MoveMentors, ki služijo kot plesne delavnice in hkrati priprave na avdicije. Oktobra 2015 je bila kot koreografinja in pedagoginja povabljena s strani dekana Tisch School of Arts (Broadway, New York) na rezidenco in delo z njihovo skupino študentov na podiplomskem študiju. Je avtorica številnih plesnih predstav (Nosila sem tuje otroke, Zlahkanosim svojo lastno težo, Del mene je narejen iz stekla, Cinični morilci lastne matere, Prodiranje vanjo je zanj, Random acts of kindness, Hombre masa, Horda, Začasno zadržana telesa...) in soustvarjalka predstav (Sen plesne noči, Manada, Danes zadnjikrat, Začasno poravnana telesa,...). Septembra 2019 je na povabilo Dantzaz v St. Sebastianu ustvarila koregrafsko delo Hombre masa, ponovitve dela še trajajo. Junija 2021 je v okviru festivala Ukrep to koreografsko delo doživelo slovensko premiero skupaj z novim koreografskim delom Začasno zadržana telesa. Trenutno je v vlogi pedagoške vodje in organizatorke plesnih klasov in delavnic v okviru Plesnega Teatra Ljubljana. Prav tako je umetnica mentor mlajšim ustvarjalcem pri prvencih in drugih koreografskih podvigih ter članica umetniškega sveta Plesnega Teatra Ljubljana. Vse kar se je že zgodilo / Meals I Already Cooked je avtoričino prvo delo v solo trilogiji 2022/2023. Vita sodeluje tudi v mednarodnem projektu organizacije Mesto žensk Dancing in Your Shoes – Performing Gender, kjer deluje kot potujoča umetnica (Italija, Nizozemska) kakor tudi lokalna koreografinja, ki skupaj z režiserko Brino Klampfer prevzema produkcijo celovečerne predstave.
Program Plesnega Teatra Ljubljana sofinancirata Ministrstvo za kulturo RS in Mestna občina Ljubljana, Oddelek za kulturo / The programme of Plesni Teater Ljubljana is subsidized by the Ministry of Culture RS and Municipality of Ljubljana, Department for Culture