Uroš Kaurin & Vito Weis
HERO 3.0 - MORE THAN WORDS / HEROJ 3.0 - VEČ KOT BESEDE
predstava / a performance
Avtorja in izvajalca / Authors and Performers: UROŠ KAURIN & VITO WEIS
Dramaturgija / Dramaturgy: KATARINA STEGNAR
Video: BORIS BEZIĆ
Glasba / Music: LEA ČEHOVIN & ILJ PUŠNIK
Vizualna podoba / Visual Image: TONI SOPRANO MENEGLEJTE
Lučni oblikovalec, tehnik / Light Designer, Tehnician: GAŠPER BOHINEC
Producentka / Producer: NATAŠA ZAVOLOVŠEK
Produkcija / Produced by: MOMENT MARIBOR
Koprodukcija / Co-produced by: PLESNI TEATER LJUBLJANA, II. GIMNAZIJA MARIBOR, BUNKER, DESIRÉ CENTRAL STATION
S podporo / Supported by: MINISTRSTVO ZA KULTURO REPUBLIKE SLOVENIJE IN MESTNA OBČINA MARIBOR / MINISTRY OF CULTURE OF THE REPUBLIC OF SLOVENIA AND MUNICIPALITY OF MARIBOR
INFO. / REZ.: 041-707-475, ptl@mail.ljudmila.org, info@ptl-lj.si, Moje karte
Vstopnice / Tickets: 10/7€ (dijaki, študenti, upokojenci / scholars, students, seniors), predhodna rezervacija ali uro pred predstavo v gledališču / prior reservation or an hour before the performance at the theatre
Program Plesnega Teatra Ljubljana sofinancirata Ministrstvo za kulturo RS in Mestna občina Ljubljana, Oddelek za kulturo / The programme of Plesni Teater Ljubljana is subsidized by the Ministry of Culture RS and Municipality of Ljubljana, Department for Culture
Foto / Photo: SAŠA HUZJAK
O predstavi
Kdo in kaj postaneta Heroja, ko se pripeljeta onstran besed?
Vemo, da sta samo bela, hetero-seksualna, cis-spolna, srednje-razredna, družinska moška. Eden je poročen, drugi ima nepremičnino.
Publika je absolutno prepričana, da sta najboljša prijatelja tudi privat, ne samo na odru, ampak Vito in Uroš ne roštiljata skupaj, z družinami ne hodijo skupaj na morje, ne delita si jadrnice, ne dobivata se na basketu, poslušata različno glasbo, dobro, enkrat letno formalni piknik ali družinsko kosilo … In to je to.
Pa vendar med njima visi nekaj, nekaj česar si ne upata priznati. Vsaj ne na glas. Zato sta se odločila, da je konec diktata besede. To je nekaj, na kar ne moreta več pristati. Besede so postale nepotrebne in vsiljive.
In samo na odru in pred pričami si upata zarezati v tkivo neizrekljivega. Z izgovorom, da oder vse prenese, da je vse lažno in nič resnično.
Vprašanje pa je, koliko tega lahko publika pogoltne, ne da bi za vedno izgubila fantazme o idealnem partnerstvu, ker če bi gledalci vedeli, kako rada se imata Vito in Uroš, ne bi nikoli več z istimi očmi gledali nobene druge predstave.
About the performance
Who and what become the Heroes, when they drive themselves beyond words?
We know that they are white, hetero-sexual, cis-gender, middle-class, family men. One is married and the other one has a real-estate.
The audience is absolutely convinced that they are best friends also privately, not only on stage, but Vito and Uroš don't grill together, they don't go on holidays with their families together, they don't share a boat, they don't play basketball together, they don't listen to the same music, O.K., once a year a family picnic or lunch… and that's it.
And still there's something dangling between them, they don't dare to acknowledge. At least not aloud. That's why they decided to end the dictate of words. They simply can't have it anymore. Words became unnecessary and intrusive.
Only on stage and in front of witnesses are they willing to cut into the unspeakable. With the excuse that the stage can bare anything, because nothing is true and all is fake.
Though the question remains, how much of this can the audience still swallow and not lose fantasies of an ideal partnership, because if the audience knew how much Vito and Uroš love each other they would never watch any other show with the same eyes.