Rosana Hribar - Gregor Luštek
16
plesno-gledališka predstava / a dance-theatre performance
Koreografija in izvedba / Choreography and Performance: Rosana Hribar, Gregor Luštek
Glasba / Music: Philip Glass
Oblikovanje luči / Lighting Design: LCLights
Izdelava kostuma / Costume Make: Katarina Škaper
Producentka / Producer: Živa Brecelj
Produkcija / Produced by: Plesni Teater Ljubljana
Koprodukcija / Co-produced by: Univerza v Ljubljani, Akademija za gledališče, radio, film in televizijo
INFO./ REZ.: 041-707-475, ptl@mail.ljudmila.org, info@ptl-lj.si, Facebook
Vstopnice / Tickets: 12/8 (dijaki, študenti, upokojenci / scholars, students, seniors), predhodna rezervacija ali uro pred predstavo v gledališču / prior reservation or an hour before the performance at the theatre
Foto / Photo: Miha Sagadin
O predstavi
»Eppur si muove!« (Galileo Galilei)
Kako okusiti odnos, slišati gib, videti besedo, ki ni nikoli izrečena, temveč ves čas ostaja na konicah prstov in na površini grodnice? Kako začutiti govorico kot serijo preveč izrečenih besed, ki težijo telo in upočasnijo korak? In vendar se premika, ves čas, povsem na površini, vedno drugače! Plesni in koreografski par Rosana Hribar in Gregor Luštek, ki ju v zadnjih letih skupnega ustvarjanja zaznamujejo predvsem serije duetov spektakularnega tarantinovskega pas de deuxa, v duetu 16 obračata nov list na poti skupnega ustvarjanja; ki ga opredeljuje vzdržljivost izplesovanja, mehkejši tonus gibanja in leta, ki so se vmes nabrala.
About the Performance
»Eppur si muove!« (Galileo Galilei)
How to taste the relationship, hear the movement, see the word that is never delivered but always remains at the tips of the fingers and on the surface of the sternum? How to feel the language as a series of over-expressed words that weight the body and slow the step? And yet it moves, all the time, entirely on the surface, always differently! The dance and choreographic couple Rosana Hribar and Gregor Luštek that have been in recent years of joint creation especially marked by the series of duets like spectacular Tarantino’s pas de deux, in the duet 16 turn a new page on the path of joint creation; defined by the endurance of dancing out, softer tonus of movement and the years that have accumulated in the meantime.